4x5 View Camera 1:1 Magnifications
4"x 5" Roid Transfer
4 x 5 Glass Plate Orotone
Protest Signs sharing Immigration Success Stories, Photography as Activism
4x5 Roid Working Mural Project
"Familia" Collective, moments in Slide Form
Mexican Agave Weave
Collaboration Litho Book Project Imagery created by JSP
Facial Mask - created with darkroom garbage during the pandemic
Titled "la familia" a mixed medium, medium format darkroom project
4" x 5" Triptych - Self Portraiture Wet Plate Collodion TinTypes
Portrait of Sabine titled "Listen Closely"
4"x 5" Alternative Process Contact Print
8" x 10" Van Dyke Brown Contact Print
8"x 10" Cyanotype Contact Print
8"x 10" Pinhole Camera Gum Bichromate Contact Print
"William" 4"x 5" Vandyke Brown Contact Print
"April" 4"x 5" Format Cyanotype Contact Print
MATC 8"x10" Camera Class Portrait Collaboration
A Chair Created for a Charity Auction, "a Chair Wrapped in an Image"
Medium Format & SX-70 Polaroids of students at MATC
Photogravure of a image created in Kitzbuhel, Austria
Intentional Rot on a 11"x14" Fiber Base Print - Wilks...
FB Single thickness... 35mm mini prints, test strips pulled from trash bin & created in a basement of a castle in Scotland
Dead Western Grebe, 4" x 5" Polaroid Scanned and Enlarged
Lumen Print - un-fixed
4x5 Polaroid Western Greeby Stool
4” X 5” View Camera Polaroid Collage/ Joiner
Back lit Lumens
Part of an Experimental Shape Changing Series
Roe V Wade - Photography as Activism
Lalito & Tia Eva Magnified
Alternative Photographic Processes Nature Studies 1 -3
Cyanotype Print - Brenda's Baptism Gown - 1971
Experimental Cyan Photo Montage from a series from the early 90's: Mixed Medium, Newspaper + Photo
4" x 5" Wet Plate Collodion TinType
4" x 5" Portrait of Rashod - Wet Plate Collodion Tintype
Self Portrait - Image Projection Project - Work in Progress
info
/
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·